Graduate Students

Stephen Tian-You Ai

Theory
stephenai@g.harvard.edu

Fabian Almazan

Creative Practice/Critical Inquiry
falmazan@g.harvard.edu

Victor Anand Arul

Composition
victor_arul@g.harvard.edu

Nina Baratti

Ethnomusicology
baratti@g.harvard.edu

Christopher Benham

Historical Musicology
cbenham@g.harvard.edu

Isaac Roth Blumfield

Composition
iblumfield@g.harvard.edu

Jordan R. Brown

Ethnomusicology
jbrown@g.harvard.edu

Samuel Budnyk

Historical Musicology
sbudnyk@g.harvard.edu

Lee Cannon-Brown

Theory
cannonbrown@g.harvard.edu

Thesis: Ultramodernism in Global Musical Thought, 1900–1950

Marisse Cato

Creative Practice/Critical Inquiry
mcato@fas.harvard.edu

Michele Cheng

Creative Practice/Critical Inquiry
michelecheng@fas.harvard.edu

Darcy Copeland

Composition
darcycopeland@g.harvard.edu

Alyssa Cottle

Historical Musicology
alyssacottle@g.harvard.edu

Thesis: From the Local to the Transnational: Music, Sound, and Politics in Chile (1960s-1973)

Ganavya Doraiswamy

Creative Practice/Critical Inquiry
ganavyadoraiswamy@g.harvard.edu

Weilu Ge

Creative Practice/Critical Inquiry
weiluge@g.harvard.edu

Flora Giordani

Historical Musicology
floragiordani@g.harvard.edu

Xavier Hadley

Creative Practice/Critical Inquiry
xhadley@g.harvard.edu

Sharri Hall

Historical Musicology
sharrihall@g.harvard.edu

Jonah Haven

Composition
jhaven@g.harvard.edu

Haley Heinricks

Theory
haleyheinricks@g.harvard.edu

Micah Huang

Creative Practice/Critical Inquiry
micah_huang@g.harvard.edu

Seiyoung Jang

Creative Practice/Critical Inquiry
sjang@g.harvard.edu

Kabasomi Kakoma

Creative Practice/Critical Inquiry
kabasomi_kakoma@g.harvard.edu

Felipe Ledesma-Nuñez

Historical Musicology
ledesmanunez@g.harvard.edu

Michelle Lin

Theory
michellelin@g.harvard.edu

Siriana Lundgren

Historical Musicology
slundgren@g.harvard.edu

Thesis: Boomtown: Music as Power in the 19th Century Mining West

Cana F. McGhee

Historical Musicology
cana_mcghee@g.harvard.edu

Thesis: Instruments of Silence: Botanical Musicalities and Performing Natural Science

Sonja Mutić

Composition
sonjamutic@g.harvard.edu

Natalia Neira Nieto

Ethnomusicology
nneiranieto@fas.harvard.edu

Christina Nikitin

Ethnomusicology
cnikitin@fas.harvard.edu

Sunday Oluwaseun Ukaewen

Theory
sundayukaewen@g.harvard.edu

Luis Pabón Rico

Historical Musicology
luispabonrico@g.harvard.edu

Samora Pinderhughes

Creative Practice/Critical Inquiry
spinderhughes@g.harvard.edu

Maria Privado

Ethnomusicology
mprivado@g.harvard.edu

Shiva Ramkumar

Ethnomusicology
sramkumar@g.harvard.edu

Eloy Ramirez

Historical Musicology
eloyramirez@g.harvard.edu

Lucas Reccitelli

Historical Musicology
lreccitelli@g.harvard.edu

Rachel Rosenman

Theory
rrosenman@g.harvard.edu

Thesis: Towards an Intermedial Poetics of Song: Case Studies in 20^th-Century French Mélodie

Gaia Saetermoe-Howard

Historical Musicology
gaiasaetermoehoward@g.harvard.edu

Juan Patricio Saenz

Theory
jsaenz@fas.harvard.edu

Leo Sarbanes

Historical Musicology
lsarbanes@g.harvard.edu

Uri Schreter

Historical Musicology
urischreter@g.harvard.edu

Thesis: “A New Thing for Israel”: Yiddish Music and the Politics of Postwar Jewish Culture

Zehra Jabeen Shah

Ethnomusicology
zshah@g.harvard.edu

Golnaz Shariatzadeh

Composition
shariatzadeh.golnaz@gmail.com

Kelley Sheehan

Composition
kelleysheehan@g.harvard.edu

Davindar Singh

Ethnomusicology
davindarsingh@g.harvard.edu

Thesis: Cultures of Cargo: Trucking, Musical Media, and the Logistics of Punjabi Mobility

Sara Speller

Historical Musicology
sspeller@fas.harvard.edu

Jelani Surpris

Composition
jelani_surpris@g.harvard.edu

Clara Viloria Hernandez

Historical Musicology
cviloriahernandez@g.harvard.edu

Julien Vincenot

Composition
julienvincenot@g.harvard.edu

Sophia Zervas

Ethnomusicology
sophiazervas@g.harvard.edu

Jingyi Zhang

Historical Musicology
jingyizhang@g.harvard.edu

Thesis: The Hypermobility Turn: Opera of the Future, The Future of Opera