Density 2036: Craig Taborn’s “Busy Griefs and Endangered Charms”

Holden Chapel


The New York Times called the world premiere of Craig Taborn’s Fromm Foundation-commissioned work Busy Griefs and Endangered Charms “one of the best shows I’ve experienced this season.” Join us for the Boston premiere of this new evening-length quartet, which was written for Professor Claire Chase as part of her ongoing Density 2036 project. Taborn and Chase are joined by Susie Ibarra (percussion), Joshua Rubin (clarinets), and Levy Lorenzo (sound design). For this special immersive performance in the intimate venue of Holden Chapel, Taborn expands the final movement of the work to include members of the Harvard New Music Ensemble. Capacity is limited; please reserve your (free) seat.

Born in Minneapolis, Craig Taborn has been performing piano and electronic music in the jazz, improvisational, and creative music scene for over twenty-five years. He has experience composing for and performing in a wide variety of situations, including jazz, new music, electronic, rock, noise, and avant-garde contexts.   

One of the greatest musical undertakings of our time, a singular project by a singular artist.

The New York Times (on Density 2036)

Density 2036 is a 24-year project begun by Claire Chase in 2013 to commission a new body of repertory for solo flute each year until the 100th anniversary of Edgard Varèse’s groundbreaking 1936 flute solo, Density 21.5. Central to the Density 2036 project is a commitment to supporting an international, multigenerational community of flutists who will take the flute repertoire in new interpretive and performative directions. Read more at www.density2036.org