UTOPIAN LISTENING

 



The Late Electroacoustic Music of Luigi Nono
Technologies, Aesthetics, Histories, Futures


CONCERTS


Friday March 25

8:00p-10:0p
Concert I
Free admission
Tufts University | Medford, MA
Directions

Part I: Fisher Performance Room
Ricorda cosa ti hanno fatto in Auschwitz (1966) for tape
Alvise Vidolin (sound diffusion)•
La lontananza nostalgica utopica futura (1988) for solo violin and 8 tapes
Miranda Cuckson (violin) & Chris Burns (sound)

Part II: Distler Performance Hall
La fabbrica illuminata (1964) for soprano and four channel tape
Stacey Mastrian (soprano) & Peter Plessas (tape)
Post-prae-ludium n.1 per Donau (1987) for tuba and live
Max Murray (tuba) & Joshua Fineberg (electronics) Tufts University | Medford, MA



Saturday March 26

10:00a-11:30a
Concert 2
Free admission
Distler Performance Hall
Tufts University | Medford, MA
Directions
    

A Pierre. Dell’azzurro silenzio, inquietum (1985) for contrabass flute, contrabass clarinet, and live electronics
Claire Chase (contrabass flute), Evan Ziporyn (contrabass clarinet), and Hans Tutschku (electronics)
Das atmende Klarsein (1981) for small chorus, bass flute, electronics & tape
Triad: Boston’s Choral Collective, David Harris (conductor) & Hans Tutschku (electronics)

SPECIAL CHILDREN'S EVENT
11:30am-12:30pm
Nono's Sound World
hosted by the Tufts Community Music Program

 

8:00pm
Concert 3
Free admission
Tufts University | Medford, MA
Directions

Part 1
Distler Performance Hall
..... sofferte onde serene ... (1976) for piano and tape
Julia den Boer (piano) & Peter Plessas (tape)
Post-prae-ludium n.1 per Donau (1987) for tuba and live electronics
Max Murray (tuba) & Joshua Fineberg (electronics)

Part 2
Fisher Performance Room
La lontananza nostalgica utopica futura (1988): solo violin and 8 tapes
Miranda Cuckson, violin, and Chris Burns, sound
Read reviews from a recent performance:
New York Times | New York Classical Review


All performances made possible with the friendly support of



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